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Weddings present a staggering array of decisions. Nobody wants to obsess over after-dinner mints, but what if you're remembered forever as "those cheap, mintless bastards"? Then there's the venue, the flowers, the invitations. Recently, one more item has crept onto this mind-bendingly long list: What is the bride going to do with her dress after the ceremony? Preserve it, give it away -- or wreck it?
The past year has seen the rise of a gleefully destructive post-wedding ritual: the "trash the dress" photo shoot, in which the bride models her gown while romping in the ocean, climbing up a fire escape, rolling in the mud, or, in at least one occasion, riding a horse. These sessions take place after the wedding. Sometimes the groom is around; sometimes he's not. The resulting photos often exude a gentle gothiness, like album covers from bands playing the second stage of the Lilith Fair circa 1997.
There's something both appealing and disturbing about the idea of a bride wrecking her expensive gown. As a culture, we're obsessed with weddings. A recent spate of books, articles and TV shows about this wedding obsession has raised our level of self-awareness; in fact, we're now a nation obsessed with wedding obsession, tsk-tsking in front of the new season of Bridezillas on the WE network and wondering why all those other women are such nut jobs. The problem is that it's a closed loop: Whether you're fretting about your own invitations or someone else's invitation-induced nervous breakdown, you're still reacting to the American cult of the bride, that gracious, white-clad perfect host.
Dress trashing seems like a potential way out of the loop, a temper tantrum aimed at the restrictive rules of bridal femininity -- albeit a photogenic one. Online, the trend coalesces around TrashtheDress.com, a Web site created in September 2006 by Louisiana photographer Mark Eric. The "godfather of trashing," according to Eric, is Las Vegas wedding photographer John Michael Cooper, whose casino-noir style and punk swagger (his company is called altf, short for "alternative fucking photography") helped shape -- and, more important, brand -- this new kind of bridal photo.
In February of 2006, on the group blog for photographers Wed Shooter, Cooper published an essay titled "Show Off! a.k.a. Trashing the Dress" about some pictures he'd taken in the Nevada desert. Stumbling upon an unearthly area of burned-up mesquite, he decided that what would really complement the post-apocalyptic landscape was a woman in a wedding dress. Four of his bridal clients turned him down, fearing they'd get dirty, so he bought a gown for $100 on eBay and got a friend to model. The resulting pictures were so unusual and haunting that brides began requesting similar shoots, and Cooper started posting them on photography forums.
Eric read the Wed Shooter piece and got inspired. That May, he pitched a trash-the-dress session to Shana Strawcutter, a free-spirited New York bride. As a gift to her, he registered TrashtheDress.com and uploaded a slide show of photos: Shana in a dingy-floored cake shop, Shana standing in the rain in Times Square, Shana jumping in a fountain. A regular on several online forums for photographers, Eric soon began seeing similar bridal photos snapped by his colleagues and realized his choice of domain names had been prescient. In September 2006, he turned the site into a gallery for these trash-the-dress pictures and published an open call for submissions. It grew slowly but steadily, reaching 100,000 people by May 2007. Then the New York Times, "Good Morning America" and "Entertainment Tonight" came calling, and within less than a month the number of readers had nearly quadrupled. Clearly, trashing the dress had tapped into a rich vein of bride rage.
See more stories tagged with: dress trashing, wedding dress, marriage, weddings
Izzy Grinspan edits the features sections of Jewcy. Her work has been published in the Believer, the Forward, and the Philadelphia Weekly.
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